LittleTim Carpenters Little completes a trilogy of photobooks rooted in the sensibility and approach to the practice of camera he elaborated in the book length essay To Photograph Is To Learn How To Die (2022). Less formally rigorous than Local Objects (2017), less introspective and linear than Christmas Day, Bucks Pond Road, this new installment channels the perspective of a childs meandering mind, open to possible meanings, absorbing whatever the eyes

or fragments of living

the sunset

and a low D-min helps to ensure brighter

Van Manen has established herself as a unique voice in documentary photography

Plant the paper in the ground and it will degrade

Cindy Sherman

folded together between blue cloth covers in a die cut plastic slipcase

and those often somber images are inspired by the fragmented memories of my childhood

filmmaker Don Letts and producer Danny Sims

Paul Graham’s quietly radical book keeps this material truth in mind as it uniquely combines landscape and conflict photography

The Uncanny by Belgian-Congolese photographer Léonard Pongo is a visual interpretation of his experiences in the Democratic Republic of Congo

and he discusses which filmmakers and painters have influenced him