At The Drive-In - in.ter a.li.aThe music industry sees artists come and go on a regular basis. Plans change, life gets in the way and bands fade away. Occasionally were lucky enough to see an important band return from their silence: enter At The Drive In. While At The Drive In was quiet, the members (Omar Rodriguez Lopez, Cedric Bixler Zavala, Tony Hajjar and Paul Hinojos) were incredibly busy, selling millions of albums, winning Grammys and putting out a lot of quality music with

usually from the artists who Ben Redjeb also met with for detailed research

The album was recorded in the winter of 2014 at Dave Fridmann's Tarbox Road Studio in upstate New York and produced by The Vaccines

emerging with a record that is both Sonny Vincent and Rocket From The Crypt

Lightnin' Hopkins

in hindsight

Justin Marler and Chris Haikus

percussive drums

'Nothing Has Changed' (named after a lyric from the 'Heathen' album opener 'Sunday') compiles tracks from every period of Bowie's career from his earliest incarnations with 'Liza Jane' and 'Can't Help Thinking About Me' right up to James Murphy's 'Hello Steve Reich Mix' of 'Love Is Lost' from last year

In the space of ten songs

Whether on the four-on-the-floor pre-punk stomp of Needles in the Camel's Eye' or the Spector / Velvet Underground trad-rock-ism of Cindy Tells Me

But GOAT‰۪s strange amalgam isn‰۪t some cheap game of cultural appropriation‰ÛÓit‰۪s nearly impossible to pinpoint the exact origins of the elusive group‰۪s sound

As on Rock Bottom something in Wyatt's character clearly inspires his contemporaries to play to their unknown strengths when collaborating with him